Sunday, November 13, 2022

Falling for Christmas Review

I have never been skiing, I know what a way to open a review. But I don't get it- you "woosh" down a hill, in the freezing elements and for what? Is it a race or just for fun? How is it any different from just running in a straight line any other day, it makes just as much sense to me. So when it comes to ski lodges, there's no appeal, aside from getting a cozy warm feeling stereotypical of a picture print by Currier and Ives, but now I'm breaking into song and if I keep going I'll never forgive myself.

If I'm getting off-topic it is because I don't what to be here, writing about Netflix's "Falling for Christmas" starring Lindsay Lohan. It's about a ski lodge, one on the brink of bankruptcy, and I mean, it's not like it's a children's hospital or anything. They don't look to have many employees, so if they go under, how many people really are impacted? I'm sorry if I sound like Scrooge, I didn't want to watch it in the first place, but hey, too late now, and I must pay the price lest I get put on Santa's naughty list.

There's a certain novelty to seeing Lohan back in a lead role, but man, what a pathetic comeback vehicle. A low-budget romantic Christmas comedy? Who does she think she is, Candace Cameron Bure? She's probably the "better" actress in any real respect, though what the hell has happened to film criticism if this is what discussions have fallen to?

The plot is exactly what the trailer promised, as if its law of the motion picture association of hasbeen holiday yarns: Sierra (Lindsay Lohan), a spoiled heiress of a fancy ski resort gets amnesia after, ahem, falling down a mountain as her influencer boyfriend Tad (George Young) proposes. And wouldn't you know it, down-on-his-luck Jake (Chord Overstreet), owner of a significantly less fancy ski saloon, happens upon her while he takes some guests on a sleighride. Oh, and his horses name is Balthazar, and is probably the second best actor here next to, oh whatever.

Jake has a backstory to boot, involving a wife who died, leaving him to raise their daughter and run the business all by himself, or well, her mother Alejandra, played by Alejandra Carlisle; it is never a good sign when a character and performer share the same name.

If all this sounds familiar, that's because it is, and it is a shame to see the once-promising Lohan reduced to such a petty production. She's as effervescent and appealing as ever, but that alone cannot save "Falling for Christmas." Really, the most impressive thing here is Balthazar. It doesn't have much to do, but it was well behaved and looked clean.

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